Monday, 14 August 2023

Syllabus_Semester I (Optional English)

 

Shivaji University, Kolhapur

B.A. Part I (Discipline Specific Core)

(Paper –I) (Semester – I)

Modern Indian Writing in English Translation

(CBCS)

Detailed Syllabus

Short Stories -

Unit 1. Short Story as a Minor Form of Literature: Characteristic Features

Unit 2. Short Story as a Minor Form of Literature: Types

Unit 3. A) Premchand ‘The Shroud’

            B) Saratchandra Chatterji ‘Laloo’

Unit 4.  A) Gurdial Singh ‘A Season of No Return’

            B) Fakir Mohan Senapati ‘Rebati’

-----------------------------------------------------------------------------------------------------------------------------

 

Pattern of Question Paper

Semester I  (Paper –I)   Total Marks – 50

            Q. 1. Multiple choice questions with four alternatives.                                              (10)

                        (To be set on Unit 3 &4)

            Q.2. A) Answer the following questions in about 250-300 words.                            (10)

                        ( A or B on Unit 1 & 2)

            Q.3. Answer the following questions in about 250-300 words.                                 (10)

                        (A or B on Unit 3 or 4)

Q.4. Write short notes in about 100-150 words each. (4 out of 6)                             (20)

            ( 3 short notes on Unit 1 , 2  and 3 on Unit 3 , 4 to be set)

 ------------------------------------------------------------------------------------------------------------------

 


Syllabus_Semester V (Compulsory English)


Syllabus for Semester V

BA Part III / English

·         40 Marks: University Exam (Descriptive/Offline)

·         10 Marks: Internal (Seminar Presentation)

Compulsory English

MODULE I

A. Interview Skills

B. The Interview -V.V. John

MODULE II

A. Grammar for Competitive Examinations

B. The Lottery - Shirley Jackson

MODULE III

A. Writing Skills for Competitive Examinations

B. After Twenty Years - O’ Henry

MODULE IV

A. I Shall Return To This Bengal - Jibananda Das

 B. (i) Song of Youth - A. P. J. Abdul Kalam

      (ii) The Orphan Girl - Henry Derezio


*    *    *    *    *

Question Paper Pattern

Q.1 A) Three multiple choice questions based on lessons and poems                     (03)

Q. 1 B) Answer in one word/phrase/sentence each (lessons and poems).                (03)

Q. 1 C) Two different Vocabulary Exercises (based on lessons and poems)             (02)

Q. 2 A) Answer the following questions in 3-4 sentences each. ( 2 out of 3)             (04)

            (02 on prose and 01 on poetry)

Q. 2 B) Write Short Note on the following in about 7-8 sentences each. (1 out of 2)

            (01 0n prose and 01 on poetry)                                                                            (04)

Q. 3) Questions to be set on Interview Skills (A or B)                                                    (08)

Q. 4) Question to be set on Grammar for Competitive Examinations (A or B)                (08)

Q. 5) Question to set on Writing Skills for Competitive Examinations(A or B)                 (08)


*    *    *    *    *

Syllabus BA III (Special English) Semester V

                                              BA (Special) English

Syllabus for Semester V

Paper No.

Title of Paper

VII

Introduction to Literary Criticism

VIII

English Poetry

IX

English Drama

X

English Novel

XI

Language and Linguistics



Paper No. VII: Introduction to Literary Criticism

I)     Introduction to Literary Criticism:

i)        Nature of Criticism

ii)      Function of Criticism

   II) Classical Criticism: (From Aristotle’s Poetics)

i)        The concept of Tragedy

ii)      The Ideal Tragic Hero

III)           Neo-classical Criticism

i) Dr Samuel Johnson’s Preface to Shakespeare (1765)

IV)         Literary Terms

i)        Symbolism

ii)      Realism

iii)    Humour

iv)    Paradox

___________________________________________________________________________

Paper No. VII - Question Paper Pattern:

Q.1 Objective type questions

A) Multiple choice questions                                                          (04)

B) Answer the following questions in one word/phrase/sentence       (04)

Q.2 Answer the questions in about 250-300 words each.                           (10)

          (A or B based on I, II, III)

Q. 3  Answer the questions in about 250-300 words each.                         (10)

(A or B based on I, II, III)

Q. 4 Write short notes (Any 3 out of 5)                                                     (12)

          (Based on IV, and not covered in Q. 2 and 3)

­­­­­­­­­___________________________________________________________________________

* Internal Evaluation: Seminar Presentation                                       (10)

 

* * * * *

Paper No. VIII: English Poetry

I)             Background Reading

i)             Elizabethan Poetry

ii)            Metaphysical Poetry

iii)          Romantic Poetry

II)           Elizabethan Poetry

i)             ‘Sweet Warrior’ (Sonnet 57) by Edmund Spenser

ii)            ‘Sonnet to the Moon’ by Sir Philip Sidney

iii)          ‘Full Many a Glorious Morning’ (Sonnet 33) by Shakespeare

III)         Metaphysical Poetry

i)             ‘The Sun Rising’ by John Donne

ii)            ‘The Retreat’ by Henry Vaugham

iii)          ‘The Collar’ by George Herbert

IV)         Romantic Poetry

i)             ‘My Heart Leaps Up’ by William Wordsworth

ii)            ‘The Rime of the Ancient Mariner’ by S. T. Coleridge

iii)          ‘Ozymandias’ by P. B. Shelley

iv)          ‘When We Two Parted’ by Lord Byron

___________________________________________________________________________ 

Paper No. VIII - Question Paper Pattern:

Q.1 Objective type questions (Based on II, III and IV)

A) Multiple choice questions                                                          (04)

B) Answer the following questions in one word/phrase/sentence (04)

Q.2 Answer the questions in about 250-300 words each.                       (10)

          (A or B based on I)

Q. 3  Answer the questions in about 250-300 words each.                     (10)

(A or B based on II, III and IV)

Q. 4 Write short notes (Any 3 out of 5)                                                     (12)

          (Based on I, II, III and IV)

­­­­­­­­­___________________________________________________________________________

* Internal Evaluation: Seminar Presentation                                       (10)


* * * * *


Paper No. IX: English Drama

I)             Definition and Elements of Drama

II)           Tragedy as a Form

III)         The Importance of Being Earnest by Oscar Wilde

IV)         Hamlet by William Shakespeare

___________________________________________________________________________

Paper No. IX - Question Paper Pattern:

Q.1 Objective type questions (Based on III and IV)

A) Multiple choice questions                                                          (04)

B) Answer the following questions in one word/phrase/sentence (04)

Q.2 Answer the questions in about 250-300 words each.                       (10)

          (A or B based on I and II)

Q. 3  Answer the questions in about 250-300 words each.                     (10)

(A or B based on III and IV)

Q. 4 Write short notes (Any 3 out of 5)                                                     (12)

          (Based on I, II, III and IV)

­­­­­­­­­___________________________________________________________________________

* Internal Evaluation: Seminar Presentation                                       (10)


 * * * * * 

Paper No. X: English Novel

I)             Rise and Development of Novel

II)           Aspects of Novel

III)         The Old Man and the Sea by Earnest Hemingway

IV)         The Power and the Glory by Graham Greene

___________________________________________________________________________

Paper No. X - Question Paper Pattern:

Q.1 Objective type questions (Based on III and IV)

A) Multiple choice questions                                                          (04)

B) Answer the following questions in one word/phrase/sentence (04)

Q.2 Answer the questions in about 250-300 words each.                       (10)

          (A or B based on I and II)

Q. 3  Answer the questions in about 250-300 words each.                     (10)

(A or B based on III and IV)

Q. 4 Write short notes (Any 3 out of 5)                                                     (12)

          (Based on I, II, III and IV)

­­­­­­­­­___________________________________________________________________________

* Internal Evaluation: Seminar Presentation                                       (10)

 

* * * * * 

Paper No. XI: Language and Linguistics

I)             Language and Communication:

i)             Definitions and characteristics of language

ii)            Human and Animal Communication Systems

(Hockett’s seven characteristics of language)

II)           Phonology

III)         Morphology

IV)         Words

___________________________________________________________________________

Paper No. XI - Question Paper Pattern:

Q.1 Objective type:

a) Three term labels                                                                 (03)

b) Transcription of words with primary stress                             (03)

c) Conversion of the given transcriptions into the conventional  

    spellings                                                                            (02)

Q.2 a) Write short notes (2/3) (Based on I)                                          (10)

      b) Morphological giving labels (2/4)                                              (04)

Q.3 a) Identification of word formation /morphological processes         (04)

      b) Identification of word classes                                                  (04)

Q.4 Write short notes (2/4) (Based on II and IV)                                  (10)

­­­­­­­­­___________________________________________________________________________

* Internal Evaluation: Seminar Presentation                                 (10)

 

 * * * * * 

 

Tuesday, 6 June 2023

Toba Tek Singh

 (e-content developed by Dr N A Jarandikar)

Toba Tek Singh

“Toba Tek Singh” is a story written by Sadat Hasan Manto. Manto is an Urdu writer. After Partition, Manto migrated (स्थलांतरित होणे) to Pakistan. The common deprived people (वंचित लोक) are the main characters in Manto's literature. 'Toba Tek Singh' is a powerful story by Manto which makes a harsh comment on the idea of Partition.

        The story "Toba Tek Singh” revolves around Bishan Singh. The story takes place in an asylum (वेड्यांचे इस्पितळ) in Lahore. After the partition of India, it was decided that like the civilians, the lunatics (वेडे) also should be exchanged. So, it is decided that the Muslim lunatics from India will be sent to Pakistan and the Hindu, Sikh lunatics will be sent to India. The lunatics from the Lahore asylum are confused because of the partition and the idea of the exchange.

Like other lunatics, Bishan Singh is also confused. Bishan Singh belongs to a village named Toba Tek Singh. So, everyone in the asylum calls him Toba Tek Singh. He is a landlord (जमीनदार). He has been in the asylum for the last fifteen years. During these fourteen years, he has never slept on the ground. He le standing all the while. His feet and ankles are swollen. For every question he has a strange answer — “Upar di gudgud…”.  He has a family and a daughter, Roop Kaur. After the partition, all his family members migrate to India. And now Bishan Singh too will be shifted to India. But Bishan Singh is interested neither in India nor in Pakistan. All the time, he goes on asking where is his village, Toba Tek Singh?

Finally, the lunatics are exchanged on the Wagah Border. Here again, Bishan Singh asks, “Where is Toba Tek Singh?” and the officer replies that it's in Pakistan. All of a sudden Bishan Singh runs back crying “Upar di gurgur …” As Bishan Singh is a harmless fellow (निरुपद्रवी व्यक्ती), the officers allow him to stay there. Bishan Singh stands there for the whole night. It is a severely cold night. In the morning, all the officers listen to a heart-rending cry (हृदयद्रावक किंकाळी) from Bishan Singh and find him lying dead on the ground. Thus, Bishan Singh leaves the world lying on the land which belongs to neither India nor Pakistan.

The major setting of the story is an asylum. All the characters are lunatics. But these insane people (वेडी माणसे) behave very wisely. Manto presents the whole world of lunatics in a comic way. But the undertone of the story is very serious. It is the harsh comment on the futility (निरर्थकता) of partition. The story is a good example of ‘black comedy’.

 

*     *     *     *     *

 

Bollywood

 (E-content developed by Dr N A Jarandikar)

Bollywood

The term ‘Bollywood’ is associated with the Indian film industry. In India, the film industry started towards the end of the 19th century. At first, it was a silent movie. It was without dialogues and music. Dadasaheb Phalke is considered as the father of Indian cinema. His film “Raja Harishchandra” is the first full-length Indian film. It was released in 1913. “Alam Ara” is the first Indian sound film. In the pre-independence India, films were mainly mythological in nature. At that time, women were not allowed to play roles in the films.  Watching a play was considered a more serious business than watching a film. But in the course of time, the film industry changed rapidly. Now it has become the biggest entertainment industry.

The term ‘Bollywood’ is mainly used for Hindi cinema. Before 1947, the film industry was located in Bombay, Calcutta and Lahore. But after 1947, Bombay became the centre for the Hindi film industry. Earlier, Mumbai was known as Bombay. So, on the model of ‘Hollywood’, the Indian Hindi film industry is called ‘Bollywood’. Very often, the Hindi film industry and Bollywood are the terms used alternately.  Earlier, it was known as ‘Bombay Cinema’. In the 1970s, film journalism coined the term ‘Bollywood’. Today, Bollywood is the largest film-making industry in the world.

In 1940s, the Hindi cinema left the mythological plots, and it became highly realistic. It focused on the day-today social issues. Raj Kapoor, Dilip Kumar, Guru Dutt are the important directors and film producers of this period. In fact, the decades of 1940s to 1960s are termed as the golden age of Indian cinema.

But a major change came in the decades of 1970s. Indian cinema now focused on the darker side of social life. For the first time, the underworld and criminal world was explored by Indian film industry. The disappointed youth after independence of India was craving to change the established corrupt social world.  And so, the concept of ‘angry young man’ came forward. “Zanjeer” and “Deewar” are the two classic examples of this type of film. Amitabh Bachchan emerged as a new youth icon in the decades of 1970s.  

Unreliable plot, element of melodrama, chance element, songs, dance, dashing heroes, fighting scenes, violence etc are the important features of Bollywood. That’s why Bollywood movies are also known as “Masala Movies”. 'Box office hit','Blockbluster', 'Silver jubillee film', '100 crore club' etc. are the new terms provided by the Bollywood.

The Bollywood movies of 1970s were counter attacked by 'a new wave cinema'. It was also known as “Parallel Cinema”. It rejected the Masala Movie features. Its plots were realistic and without any kind of melodrama. Shyam Benegal, Ketan Mehta, Govind Nihalani are some important names associated with this kind of cinema.

The major reason for the development of the Hindi film industry in Mumbai lies in the fact that it's the financial capital of India. Another major reason is the presence of big film studios such as Bombay Talkies, RK Studios, Mehboob Studios, Yash Raj Films, Dharma Productions, etc.

Today, Hindi films are following different conventions and models. It has become a global cinema. It attracts the international audience. It is shot at exotic locations other than Bombay. Its post-production is also carried out outside Bombay in places like Ramoji Rao Film City (Hyderabad), Chennai and even Hollywood too.  But still, the Hindi film industry is fondly called 'Bollywood'.

After 1990s, the south Indian film industry is also flourished. It is following the Bollywood model. Hyderabad and Chennai are its centres. It is known as Kollywood (Kannada film industry) and Tollywood (Tamil film industry).   

*    *    *    *    *

 

BCOM_AEC

https://drive.google.com/file/d/1F1IRMakowHOCmho9iSvSdqoPKh2SWmVe/view?usp=sharing