Plot
of the Play Andha Yug
Introduction:
Dharamvir
Bharati’s Andha Yug is a powerful modern verse-play based on the last
day of the Mahabharata war. The play is not merely a retelling of an epic
story; it is a symbolic portrayal of the moral and spiritual blindness that
leads to destruction in every age. It opens after the war between Kauravas and
Pandavas has already been fought and won, and all that remains is death,
despair, and guilt.
Act
I:
The
first act sets the tone of darkness and fear. Two tired guards hear
vultures flying toward Kurukshetra. According to them, it is a bad omen for the
ruined city. Inside the Kaurava palace, the blind king Dhritarashtra and
Gandhari wait for news from Sanjaya, but Vidura arrives instead.
Dhritarashtra confesses his fear, while Vidura reminds him that it is too late.
He asks to seek faith in Krishna. Gandhari angrily blames Krishna for breaking
moral laws. The chorus declares that only two fading lives are left in
devastated Hastinapur.
Act
II:
In
the second act, Sanjaya loses his way in the forest and meets Kritavarma,
Kripacharya, and Ashwatthama, the only surviving Kaurava
warriors. Burning with revenge for his father Drona’s treacherous death,
Ashwatthama swears to destroy the Pandavas. When Sanjaya tells him that
Duryodhana is still alive and hiding in a lake, they go to meet him.
Act
III:
The
third act links the palace and the forest. Yuyutsu, who had fought on
the Pandavas’ side, comes to Hastinapur. But he is rejected by his own people.
Sanjaya brings news of Duryodhana’s defeat. Meanwhile, Ashwatthama witnesses
Bhima’s unfair killing of Duryodhana and takes a vow of vengeance. Duryodhana
appoints him as commander before dying, and Ashwatthama decides to attack the
sleeping Pandavas.
Act
IV:
In
the fourth act, Ashwatthama prays to Lord Shiva, gains divine blessing,
and enters the Pandava camp at night. He brutally kills Dhrishtadyumna,
Shikhandi, and others. Then he tries to destroy Uttara’s unborn child, the last
heir of the Pandava line. Gandhari removes her blindfold and turns
Ashwatthama’s body into diamond-like hardness. Both Arjuna and Ashwatthama
release the Brahmastra, but only Krishna can save the unborn child. Krishna
takes the blow upon himself, curses Ashwatthama to endless wandering, and
accepts Gandhari’s curse that his own clan will perish and he will die by a
hunter’s arrow.
Act
V:
The
fifth act shows the moral emptiness that follows war. Yudhishthira rules
over Hastinapur but feels defeated and isolated. Yuyutsu, insulted by everyone,
commits suicide. Kripacharya leaves the collapsing kingdom. Dhritarashtra,
Gandhari, Kunti, and Sanjaya retreat to the forest, which catches fire;
Gandhari repents, and they all die. Yudhishthira realises the futility of war
and renounces the world.
Epilogue:
The
epilogue narrates Krishna’s death. Sitting under a peepul tree, he is
struck by a hunter’s arrow that mistakes his foot for a deer’s face. With
Krishna’s death, Dvapara Yuga ends and Kali Yuga begins—the age of spiritual
blindness and moral decay.
Conclusion
The
plot of Andha Yug moves from external war to inner destruction. Through
the downfall of both victors and vanquished, Bharati shows that hatred, ego,
and revenge blind humanity. The play ends with a warning: when man loses faith
and compassion, the “age of blindness” begins again.
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