Characteristics of Short Story
1.
Brevity or Economy: The brevity or economy is an important
parameter of the short story relating to its length. The short story is called
short story because it has brevity (shorter length). Its usual norm is that it
should be in about 3000 to 6000 words in length. The excellent short stories are
written even in 1000 words. The brevity, to be used effectively, implies
command over language and control over incidents. In a good short story every
word and every incident contributes to the final effect. The short story
strictly allows the parameters of economy. It implies the economy of words as
stated in the above parameter regarding length. The economy implies also the
economy of incidents and characters. A good short story usually has 2 or 3
characters and a few incidents numbering 4 to 5 with minimum characters passing
through minimum incidents. The short story writer effectively shows one
dominant personal trait of a character or a single experience of life or a
single moral of life. This is done alone in short story and it is possible due
to the small canvas of short story. It is rather a skill to write effective
short story with economy.
2.
Short - A short story can usually be read in one sitting.
It is a piece of prose fiction which can be read at a single sitting (fixed
place and time, social surroundings).
3.
Single Subject: Short stories usually focus on a single
subject or theme. Subjects or themes may range from something as mundane as a
daily errand or as thrilling as a ghost tale.
4.
Concise and Simple Plot: A single, easily contained plot is
one of the hallmarks of the short story and helps shape its other
characteristics. Its plot is not very complex (in contrast to the novel), but
it creates a unified impression and leaves us with a vivid sensation rather
than a number of remembered facts.
5.
Limited number of characters: Due to the limitations
of the genre, short stories typically focus on just one or a couple characters.
As short stories usually cover such brief periods of time, even a single
character may never be fully developed. However, historical examples, like some
of Geoffrey Chaucer's 'Canterbury Tales,' may find interesting ways of
involving many different people.
6.
Factual and Poetic Style: It ought to combine matter-of-fact
description with poetic atmosphere.
7.
Unified Impression: It ought to present a unified impression
of tone, colour and effect ‘unity of effect’ (Poe). It tries to leave behind a
single impression or effect. Usually, though not always, it builds around one
character, place, idea, or act.
8.
There is often little action, hardly any character development, but we get a
snapshot of life (slice-of-life story).
9.
Union of Idea and Structure: There is both a unique
union of idea and structure.
10.
There is a limited set of characters, one single action and a simple plot (often:
exposition, complication, crisis, sad / happy ending).
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